Equinox – Woven at the Mill

19.01.2017 § Leave a comment

img_8521I recently visited the mill where Brentano’s pattern Equinox is woven. Accompanying me during the visit was Senior Designer Aaron Mensik and National Sales Manager Jeff Frank.   Located in a rural city of New Jersey, it was drizzling and damp when we arrived at the entrance of the warehouse style building.   At the opposite side of the doors – a forest stood tall – damp with sparse yellow and orange leaves still dangling on  branches. The fall color of the foliage brightened the grey sky and the metal siding.

To much surprise, when we walked in a pleasant display of  Brentano fabrics greeted us.  We later found out that one employee in particular  prepared the fabric display for our arrival.  I very much appreciated the Mills effort to make us feel welcomed.

We first visited the Jacquard weaving room.  Within the one room, approximately 60 looms were weaving at the same time.  We could hardly hear our guide explaining the weaving procedures.  We saw many beautiful fabrics being woven, including one of Brentano’s best sellers, Equinox. Equinox is woven on a very fine, dense, nylon warp.  Fine for the purpose of color clarity , dense for the purpose of defined rendering, and nylon for performance level abrasion.

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It was such a joy to see our fabric being woven on the loom.  As you can tell from our facial expressions in the photos – pure happiness.

The trip was educational, so besides observing the fabrics on the loom, we toured all departments such as design, CAD for weaving, yarn control, winding, warping, final inspection of the goods, etc.

It was near 2:00 pm when we finished the tour and said our goodbyes. While we were waiting for our ride,  I noticed in the vestibule window a beautiful pattern forming from the condensation. Maybe it will one day become a fabric pattern.

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Brentano’s Annual Color Forecast: 2017

01.11.2016 § Leave a comment

 

 

brentano_colorforecast_2017_graphic-copyAs an artist, I always try to challenge my color sense and perspective when designing textiles.  After much observation, Brentano’s eighth annual Color Forecast predicts shades that will be popular in the upcoming year and hues that will dictate the future of design.  It is a very exciting time of the year at Brentano as we introduce which colors we have been focusing on for product development.

brentano_colorforecast_2017_coralCoral – With a cheeky personality and bold flair, Coral’s pop of color is a powerful punch.  The zesty accent – uplifting and bright – adds a splash of excitement to the traditional household.

brentano_colorforecast_2017_elephantElephant – First forecast by Brentano in 2016, Elephant’s popularity carries over into 2017.  This dependable neutral highlights its practicality by complementing both warm and cool interiors.

brentano_colorforecast_2017_chartreuseChartreuse – The crisp hot hue Chartreuse evokes refreshing warmth in a unique and stylish way.   The harmonious hue – a fusion of green and gold – perfectly balances beauty with brilliance.

brentano_colorforecast_2017_peacockPeacock – Polished Peacock, calm and cool, remains as current as when it appeared in Brentano’s 2016 forecast. The jewel-toned teal – more romantic than sapphire but fresher than navy – fills a room with peace and serenity.

brentano_colorforecast_2017_bloomBloom – Glowing with grace, Bloom is cultivated for its flourishing beauty.  This fashion forward pinkness is comfortable being soft, with a dominant newfound voice in design.

brentano_colorforecast_2017_almostblackAlmost Black – Elegantly refined and dignified, this colorless shade displays confidence.  Almost Black, pair-able with almost any color, makes for a bold accent; or can be luxurious all on its own.

Cityscape

07.09.2016 § Leave a comment

cityscape4565

I have always admired the serenity and pureness of nature.  As soon as my husband and I were finished with our schooling, we immediately moved to the quiet, spacious suburbia; never understanding ones desire to move to the big city. Many years and experiences later, my perception of city life began to shift and eventually (to my surprise) began to influence my work as a designer.

On one particular sales trip to Manhattan, I walked…a lot.  While traveling amongst the noisy hustle and bustle of traffic, I stumbled upon a little wild flower rooted next to a wrought iron gate. The graceful flower was rising from a crack in the concrete, pushing its way toward the clear blue sky.  The juxtaposition of the cement, the wrought iron and the plant created a texture that brought a smile to my face for the rest of the day.  The peaceful experience made the echoes from city streets dissipate; leaving only the beautiful composition in my memory.  From that day forward, I gained a different perspective of the urban environment and the magnificence held within it.

Then I began to travel.  I was able to travel longer and more freely after my obligations of parenthood and elderly care were fulfilled.  I discovered the joy of experiencing different cities, architecture, bridges, public transportation, vegetation, people, as well as cultures from around the world. I took photos, doodled, sketched, took notes, and made plans to enjoy outings with friends from different cities.  I now fully understand the attraction society has to live within a metropolis.

Drawing inspiration from the energy and graphics of the urban landscape, the 18 new patterns in the fall 2016 Cityscape collection depict my experiences from the eccentric life of the big city.

boulevard4568

Boulevard 4568

cityscape-4565boulevard-4568metropolis-4569

Metropolis 4569Cityscape 4564Boulevard 4568

solstice5815

Solstice 5815

brentano_boomtown-showgirl4564-02_metropolis-improv4569-03

Boomtown 4564Metropolis 4569

junction6531_essanay8220_lexington4221_lumen1305

Junction 6531 Lexingtion 4221Lumen 1305 Essanay 8220Selfridge 8940

Quote of the Day ~ 9

05.04.2016 § Leave a comment

“Traveling a million miles is greater than studying for ten years.”

In traditional Chinese culture the importance of experience is of greater value than any other form of education.

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A True Cornerstone

04.02.2016 § Leave a comment

The spring 2016 Cornerstone collection, originally named to follow our 25th anniversary, turned out to have much more significance.  The past fiscal year our business grew in great strides while we continuously create a name for ourselves in the industry. The moral of the entire company is unfolding a promising future in both business strategy and performance.

For the first time in Brentano’s history we are introducing a catalog of our new fabric Gem, showcasing all 39 designer colorways.  Gem is a velvet I am particularly proud of in the spring collection; proud of its luxurious colors, wonderful qualities and reasonable price point. Brentano - Gem 4250Gem 4250

Alongside Gem, the Cornerstone collection holds a wide variety of unique fabrics. The assortment includes several sophisticated techniques (Intaglio and Jasper), many bright playful patterns (Keys and Tombolo), extraordinarily colorful stripes (Regalia), and an indescribable embroidered drapery (Willow). The variety of textiles within the collection demonstrates our continuous dedication to producing products that inspire our clients’ creativity and imagination.

We have vowed in our design studio, not only to be the best at creating color, we challenge ourselves to lead the industry in design, both in textile technology and surface design.

Brentano_Ambrosia 3005

Ambrosia 3005

Brentano - Willow-Porcelain 4266-01

Willow 4266

Brentano Keys-Largo 1202-10, Element-Flame 1200-05, Tombolo-Nissi Beach 8135-03

Keys 1202 & Tombolo 8135

Brentano Nova-Cygnus 4566-02, Equinox-Pegasus 4560-02

Nova 4566

Brentano Zigrino-Whiptail 3007-05

Zigrino 3007

 

Equinox – Inspirations and Influences

19.11.2015 § Leave a comment

In the year 2008 I visited The Baccarat Museum in Paris, France. The museum was absolutely spectacular. Among the many crystals displayed inside, my attention gravitated towards an exhibit of exceptional glass bottles. Drawn to the evident cubist influence, each bottle was created with an intricate shape made from non-symmetrical facets.

After my visit, my mind was occupied with the idea of facets. I soon realized that my fixation began long ago.   One particular recollection was about a contemporary ceramic artist I had met early in my career. His work consisted of modern tables created to look like folded paper. As a young, new entrepreneur, I was unable to afford the beautiful work of art I so desperately admired. I often find myself wondering what became of him and his work. My encounter with the ceramicist, among other experiences, collectively inspired my growing geometrical interest.

My original intention with Equinox was to create an asymmetrical tessellation of facets contradicted by the symmetrical repeat. My fascination with astronomy, stars, the Milky Way, and the indefiniteness of space paired with my curiosity with facets helped push my creative process for Equinox. The concept called for a textile with large repetitive facets surrounded by a star inspired design. Once the design was complete I was humbled by the success and overwhelming positive response. Moving forward into the next collection, I have been working on creating Equinox with a smaller repeat to offer a wide variety to designers.

Equinox_Drawings and InspirationsOriginal Drawings and Inspirations

Brentano - Equinox 4560 copyEquinox – Sagittarius

2014: Inspiration from a Cartoon

06.03.2014 § Leave a comment

cartoon

As I look at this cartoon, the alarms in my head grow louder, telling me that I should not be sitting still. The message is very clear and true, especially considering what children do nowadays compared with how I grew up. I never owned a doll. My family did not own a television until I was in junior high school; we had a record player and a piano. I was always outside with neighboring kids playing and fighting for stones. Yes, stones. I loved stones. I still have a scar on my face from one of those fights. My mom told me I would hold onto the stones even when I fell asleep, and she could not unwrap my figures from them, I held them so tightly. « Read the rest of this entry »

Brentano’s First Showroom at NeoCon

02.07.2013 § Leave a comment

At NeoCon 99.9% of the people I met recognized that we had a new showroom (one thought we had been there before), which is pretty good. With a showroom on a contract floor, I finally saw the full scope of NeoCon, meeting people from South Africa, Holland, China, Korea, and Japan, etc; many had just come to see the trends. I am glad our showroom attracted their eyes.

showroom « Read the rest of this entry »

At NeoCon on the 10th Floor

21.05.2013 § Leave a comment

We will be meeting many, many people at NeoCon this year. I’ve been going in and out of the Merchandize Mart nearly a third of my life; this NeoCon I will probably meet more people than the sum of all the past years combined. At least I hope so.

NeoCon feels like a big party for our industry. I once heard a young party-loving girl say, “to go to a party is to see and be seen.” That “to be seen” part was new to me since I have never thought that way. In this case, to open a new showroom on the 10th floor of the Merchandise Mart is for sure an action “to be seen.”

There is a sense of confidence in taking this stride. It is important enough to benchmark Brentano’s history. We are excited about the opportunity to exhibit our style—yet nervous about the amount of work we have to put in to reach our goals. I am sure there is hard work ahead of us from here on out, but this leap will strengthen our capacity to design. I shall open my arms to greet the challenge, or I shall wither with the comfort of an easy career.

Advice for Textile Design Students

22.04.2012 § Leave a comment

I get questions about how to become a textile designer quite often, so I think it is worth recording some of my observations. Here are some of the most common questions that come up in my conversations with students:

What preparation or skills are needed to become a textile designer?

Becoming a textile designer requires an education in textiles. A good place to start is to ask yourself where you’d like to focus your studies. A school like the Rhode Island School of Design, for example, focuses on the aesthetic aspects of design whereas NC State’s College of Textiles is one of the best programs for textile technology, the actual function of textiles. « Read the rest of this entry »

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