03.03.2015 § Leave a comment
The Studio Collection acts as a reminder that there is a host of great art where we can experience the sublime beauties created by many different souls. To go into the deep hearts of those who felt compelled to communicate with their colors, shapes and spaces.
As we age, our perception of visual phenomena changes, actually rather I should say it broadens. When I was young, I could not understand Van Gogh; his swirling texture and thick paints used to scare me. Now he makes many of his contemporaries look pale and unworthy, especially Gauguin.
It’s this broad experience that Brentano’s designers and I used to shape our spring, artist-inspired collection. Some patterns were created for sentimental reasons. Like Moonrise, which I based on a motif created by my best friend in Chicago. She gave up her art career a few years ago to become a Buddhist nun. We can no longer talk intimately because 350 monastic precepts separate her life from mine. To have a reminder of her work in my portfolio comforts me.
09.04.2013 § 3 Comments
Only recently did I learn that at one time Isamu Noguchi was married to Li Xianglan, a woman with a fascinating life. This knowledge came as a shock to me, or almost like regret, because Li Xianglan was such a legend and such a prominent figure during my childhood. She was a very famous singer and movie star during my mother’s youth. My mother was her diehard fan and would sing her songs and talk about her all the time. There were no pictures of her in those years because of her mysterious status and I always wondered, how beautiful could she be? What happened to her after she left China? I did not know that she had a long career after she left China using two different names, Yoshiko Yamaguchi and Yoshiko Ōtaka.
05.03.2013 § Leave a comment
During the New Year’s holiday, I visited the Smart Museum at Chicago University. There was a small sculpture by Isamu Noguchi entitled Iron Wash, a classic Noguchi piece which made me feel as if I were meeting up with an old friend.
Isamu Noguchi (1904–1988) was one of the twentieth century’s most important and critically acclaimed sculptors. He is my role model for artistry. His work, at once subtle and bold, traditional and modern, has lyrical and emotional expressiveness with an aura of mystery.
I have visited his museum in Long Island City, bought books about him and read about his life. The knowledge that such a great artist once existed is an ecstasy that brings tears to my eyes. « Read the rest of this entry »