07.09.2016 § Leave a comment
I have always admired the serenity and pureness of nature. As soon as my husband and I were finished with our schooling, we immediately moved to the quiet, spacious suburbia; never understanding ones desire to move to the big city. Many years and experiences later, my perception of city life began to shift and eventually (to my surprise) began to influence my work as a designer.
On one particular sales trip to Manhattan, I walked…a lot. While traveling amongst the noisy hustle and bustle of traffic, I stumbled upon a little wild flower rooted next to a wrought iron gate. The graceful flower was rising from a crack in the concrete, pushing its way toward the clear blue sky. The juxtaposition of the cement, the wrought iron and the plant created a texture that brought a smile to my face for the rest of the day. The peaceful experience made the echoes from city streets dissipate; leaving only the beautiful composition in my memory. From that day forward, I gained a different perspective of the urban environment and the magnificence held within it.
Then I began to travel. I was able to travel longer and more freely after my obligations of parenthood and elderly care were fulfilled. I discovered the joy of experiencing different cities, architecture, bridges, public transportation, vegetation, people, as well as cultures from around the world. I took photos, doodled, sketched, took notes, and made plans to enjoy outings with friends from different cities. I now fully understand the attraction society has to live within a metropolis.
Drawing inspiration from the energy and graphics of the urban landscape, the 18 new patterns in the fall 2016 Cityscape collection depict my experiences from the eccentric life of the big city.
03.03.2015 § Leave a comment
The Studio Collection acts as a reminder that there is a host of great art where we can experience the sublime beauties created by many different souls. To go into the deep hearts of those who felt compelled to communicate with their colors, shapes and spaces.
As we age, our perception of visual phenomena changes, actually rather I should say it broadens. When I was young, I could not understand Van Gogh; his swirling texture and thick paints used to scare me. Now he makes many of his contemporaries look pale and unworthy, especially Gauguin.
It’s this broad experience that Brentano’s designers and I used to shape our spring, artist-inspired collection. Some patterns were created for sentimental reasons. Like Moonrise, which I based on a motif created by my best friend in Chicago. She gave up her art career a few years ago to become a Buddhist nun. We can no longer talk intimately because 350 monastic precepts separate her life from mine. To have a reminder of her work in my portfolio comforts me.
22.08.2014 § Leave a comment
I saw these lovely wall tiles in Matsumoto city.
11.08.2014 § Leave a comment
My first week at Waseda University for a short-term, intensive summer Japanese class started with a bit of heat shock. The classroom is different every day, and the teacher is different for almost every class even when the subject is the same. Despite the heat, students are encouraged to climb the stairs to any classroom below the fifth floor. The professors are not very happy if you are late for class, so I have been running to look for classes every day in this blazing hot sun.
Still, I have had time to explore and found some great Japanese textiles, museum collections and books from their library. I’ve always found the manhole covers in Japan fascinating too, so I couldn’t help but take pictures of the ones I’ve found so far on the university campus.
30.01.2014 § Leave a comment
07.08.2013 § Leave a comment
01.02.2013 § Leave a comment
Symphonic Collection Inspiration
I volunteered to be an art teacher at day camps quite a few times through my youth and during my children’s adolescent years. Besides typical art projects such as still-life painting or going outside to paint landscapes, I later decided to inspire the children to experience the artistic elements. One time I had them draw the feelings aroused by touching contrasting materials, such as hard angular rocks compared to soft cotton or fur. « Read the rest of this entry »
07.11.2012 § Leave a comment
As a tourist in a new place, I feel compelled to run around and look at everything that is going on and the beautiful sceneries, so the museums are always left out. I am always a bit bewildered by the idea of locking myself in a place for a whole day and looking at things from the past when I should be “sightseeing.” But after some traveling, some of the most memorable things I’ve found are the notes or sketches I made at a museum. As a textile designer, I constantly look for inspiration for new motifs. Even the most unlikely things will strike my fancy, such as these cubist looking glass jars from the Baccarat Museum in Paris or this hardware by Diego Giacometti.
These sketches were made on 1-28-2008.
19.10.2012 § Leave a comment
I designed a maple key pattern about ten years ago, but it was not successful as a fabric and I never introduced it. I am making the attempt again and making some studies. Maybe it will become a Brentano fabric design one day.